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film company based in Milwaukee

Ruby-red Letter Media, LLC
Type Private
Manufacture Film
Founded
  • Apr 23, 2004; 17 years ago  (2004-04-23)
  • Scottsdale, Arizona, U.S.
Founder Mike Stoklasa
Headquarters

Milwaukee, Wisconsin

,

U.S.

Expanse served

 Worldwide

Key people
  • Mike Stoklasa
  • Jay Bauman
  • Rich Evans
Products
  • Film reviews
  • Films
  • Web shows
Possessor Mike Stoklasa
YouTube data
Nationality American
Aqueduct
  • RedLetterMedia
Years agile 2007–present
Genre
  • Pic review
  • one-act
Subscribers 1.three million[i]
Total views 820 one thousand thousand[1]

Creator Awards

YouTube Silver Play Button 2.svg 100,000 subscribers 2012
YouTube Gold Play Button 2.svg 1,000,000 subscribers 2019
Updated: January 2022
Website world wide web.redlettermedia.com
Footnotes / references
[ii]

Reddish Letter Media, LLC, stylized as RedLetterMedia on YouTube, is an American film and video production company operated by contained filmmakers Mike Stoklasa (formerly of GMP Pictures)[3] [4] [5] and Jay Bauman (formerly of Blanc Screen Picture palace). The company was formed by Stoklasa in 2004, while he was living in Scottsdale, Arizona, but is now based in Milwaukee, Wisconsin (as of 2021[update]). It attracted significant attention in 2009 through Stoklasa's 70-minute video review of the 1999 film Star Wars: Episode I – The Phantom Menace. The review was posted in vii parts on YouTube, and was presented by his graphic symbol "Harry S. Plinkett" (oftentimes shortened to "Mr. Plinkett"). While Stoklasa had published other video reviews of several Star Trek films earlier that, his Phantom Menace and subsequent Star Wars prequel reviews were praised for both content and presentation.

Numerous other series have been produced by Red Letter of the alphabet Media, including several movie review-based web series (One-half in the Handbag, Best of the Worst, and re:View), satirical podcasts (The Nerd Crew) and video game-based web series (Game Station 2.0, Previously Recorded). Depression budget features produced past and starring Stoklasa and other Red Letter Media cast members accept been largely horror films and comedies, such as Feeding Frenzy, The Recovered, Oranges: Revenge of the Eggplant and Space Cop. Alongside Stoklasa and Bauman, Red Letter Media besides employs Rich Evans, Stoklasa's long-time friend and confidant, as a total-time actor and stagehand for their projects. Stoklasa, Bauman, Evans, and their friends Jack Packard and Josh Davis appear equally cast members for the vast bulk of their YouTube releases.

Web serial [edit]

Mr. Plinkett's Reviews [edit]

Stoklasa created his commencement video review for Star Trek Generations after watching the film once more in 2008. Stoklasa believed his own phonation sounded "too boring" for the review and adopted the persona of Harry S. Plinkett, a character he had previously used in several short films (originally played past Rich Evans).[6] The character first appeared in Yous're Invited! The Olsen Twins Movie, a brusque film that incorporates clips from The Adventures of Mary-Kate & Ashley, in which the Olsen twins accept a phone call from a human named Mr. Plinkus, a name Stoklasa and Evans either misheard as, or altered to, Mr. Plinkett.[seven]

Plinkett has been described equally "cranky", a "schizophrenic", and "psychotic"[8] [9] with a voice that has been called "a cantankerous between Dan Aykroyd in The Blues Brothers and The Silence of the Lambs' Buffalo Bill".[8] [10]

The Star Trek Generations Plinkett review was met with many favorable comments, inspiring Stoklasa to review the other three Star Trek: The Next Generation films—Beginning Contact (1996), Coup (1998), and Nemesis (2002).[6] Inspired past these, Stoklasa created his review for Star Wars: Episode I – The Phantom Menace, citing his dislike of the franchise's prequel trilogy, and how it influenced a trend of films characterized past CGI spectacle, in lieu of the live-activity stunts and meticulously crafted sets that characterized films of earlier decades.[8]

Stoklasa'southward review of The Phantom Menace was published to YouTube on Dec 10, 2009, and apace became pop, receiving over v million views in the commencement four months of its release.[vi] The video was widely shared, including by celebrities such equally Damon Lindelof and Simon Pegg.[6] [10] In comparison to his earlier Star Trek movie reviews, which lasted 30 to xl minutes, the Phantom Menace review had a total run fourth dimension of approximately 70 minutes.[ten] The review took Stoklasa between seven and x days to consummate.[11] As of July 2021, the starting time episode of the review is the most watched video on Red Letter Media's YouTube aqueduct, with more than 10 1000000 views.[12]

Subsequent Plinkett reviews have covered the James Cameron films Avatar [13] and Titanic, Star Wars: Episode Two – Assail of the Clones,[14] Star Wars: Episode Iii – Revenge of the Sith,[fifteen] Infant's Day Out [sixteen] (which was referenced at the end of the Attack of the Clones review), the children's movie Cop Domestic dog (originally mentioned in a short update video), Indiana Jones and the Kingdom of the Crystal Skull,[17] Star Wars: The Strength Awakens as well as its sequel The Final Jedi,[18] and the 2016 Ghostbusters reboot.[19] Stoklasa besides created a satirical short moving picture review of J. J. Abrams' Star Trek [xx] and afterward followed it up with a full-length review.[21]

Stoklasa has released audio commentary tracks done in the Plinkett grapheme for Star Wars, Star Wars: Episode I – The Phantom Menace [22] and Star Expedition 5: The Terminal Frontier,[23] which are bachelor for download.

In an interview, Stoklasa stated that in creating a review, he and a friend would watch the film just once while taking notes and frequently pausing the moving-picture show to discuss scenes. Subsequently that, he would write a 20–thirty page script for it in the Plinkett character, voice it, and edit it together along with some improvisations.[24]

Reception [edit]

Stoklasa's reviews accept been considered part of an emerging fine art form that hybridizes mashup with video essays, every bit they use a combination of footage from the moving picture in question and other related sources.

Literary and cultural critic Benjamin Kirbach argues that Plinkett enacts a kind of détournement by recontextualizing images that would otherwise serve as Star Wars marketing material (such as backside-the-scenes footage and interviews). Defined by Guy Debord equally "the reuse of preexisting creative elements in a new ensemble", détournement is a way of generating meaning out of cultural texts that is antithetical to their original intent.[25] Kirbach argues that Stoklasa uses this tactic to construct a subversive narrative that frames George Lucas equally "a lazy, out-of-touch, and thoroughly unchallenged filmmaker".[26]

Kirbach also argues that Plinkett's popularity can be explained, in part, as a course of catharsis. Because he is portrayed as insane, the Plinkett shtick "legitimates our nerd-rage by literalizing it".[27] Plinkett enrolls George Lucas in an ongoing Oedipal drama as the castrating father figure, a father figure nosotros are invited to rage against attributable to his flagrant ineptitude. But aside from raw catharsis, Kirbach claims that Plinkett'southward insanity is also a critique of the moving picture industry itself. Past fictionalizing his critic, Stoklasa constructs a graphic symbol who is unable to speak at a safe distance from the text he analyzes. "Plinkett becomes the figure of a consumer civilisation that has been force-fed Hollywood schlock beyond its conveying chapters," Kirbach writes.[28] And further:

Stoklasa'south major conceit—that someone would take to be "crazy" to picket movies the fashion Plinkett does—too implies a barely subconscious inverse: that the film industry has induced a consumerist fantasy in people who don't watch movies this manner. Plinkett's obscenity and jokiness are without a doubtfulness designed to garner viewership, but they are also Stoklasa's apology for—or defense force confronting—a culture that already construes his level of passion equally pathological. This central irony leads u.s.a. to question what is actually more insane: the consumer who rejects the expressions of a massive culture industry, or the massive civilisation industry itself. Plinkett satirizes the kind of consumer such a system generates: psychotic, sexist, homicidal.[27]

In an interview with Esquire, comedian Patton Oswalt noted that the Mr. Plinkett reviews are an case of "amazing movie scholarship" on the Star Wars prequels that demonstrate how much of the Star Wars universe is squandered past them.[29] The Daily Telegraph called the reviews "legendary" and described them as existence more popular than the actual films.[30]

Managing director Jordan Vogt-Roberts, whilst critiquing CinemaSins' Everything Wrong With ... video of his flick, Kong: Skull Island, for bad motion-picture show criticism masked under the guise of "satire", praised Carmine Alphabetic character Media for good pic criticism and satire, stating that "Ruddy Letter Media's Phantom Menace review IS satire. They lampoon a certain type of nerd culture AND their takedown is accurate & thoughtful. Red Letter Media's critiques hold upwardly nether scrutiny. CinemaSins just wants to shit on things for the sake of shitting on them."[31]

However, the reviews have too been criticized by Star Wars fans. Stoklasa stated that he feels "Star Wars to some people is similar a religion so they respond to attacks on information technology as such."[24] 1 fan wrote a 108-page-long bespeak-by-indicate response to the Phantom Menace review, taking event with many of Stoklasa'south criticisms,[32] which Stoklasa mocked in an announcement video for his Revenge of the Sith review.[33]

Half in the Bag [edit]

Half in the Pocketbook is a regularly released serial in which Stoklasa and Bauman review films in a more than traditional format, albeit with a haphazard and fourth wall breaking overarching plot. Stoklasa has described it as a cross between Siskel and Ebert and a 1980s sitcom[ citation needed ], with Stoklasa and Bauman playing VCR repairmen who discuss movies whilst finding increasingly convoluted ways of avoiding their scheduled repair piece of work on Mr. Plinkett's VCR.

The show often features the character of Plinkett portrayed by Rich Evans. Tim Heidecker, who hosts satiric movie review show On Cinema, makes a cameo in episode 37 every bit the owner of the VCR repair shop who bequeaths employment to Jay and Mike.[34]

The outset episode premiered on March 12, 2011, with a review of Bulldoze Angry and The Adjustment Bureau. On March xi, 2021, the channel posted a scripted video celebrating the 10th anniversary of the series.[35] Every bit of July 2021, the serial totals 224 episodes and has amassed more than 23 million views on YouTube.[36] The most viewed episodes of the series are reviews of the Star Wars films The Last Jedi and The Ascension of Skywalker.

Best of the Worst [edit]

All-time of the Worst is a regularly-released series in which members of Ruby-red Letter Media watch and review multiple films ranging from B-movies to instructional videos, sometimes sent in past fans.[22] Later viewing and riffing on the films, a rotating panel of four sit to discuss what they but watched. Panels typically consist of any combination of Mike Stoklasa, Jay Bauman, Rich Evans, Jessi Nakles, Jack Packard, Josh "The Wizard" Davis, or special guests. Panel participants and then individually decide upon which picture show or video represents the "Best of the Worst". Viewing material that is deemed to exist insulting, offensive, or especially poor is oftentimes destroyed in a creative manner. Methods of destruction have included dissolving a VHS tape in acetone, forcing a DVD through a paper shredder, dragging a tape around the streets tied to the bumper of a car, and cooking a record on a charcoal grill aslope cheeseburgers.

Canadian visual effects artists Colin Cunningham and Jim Maxwell, who have worked on numerous television serial and feature films, oftentimes appear every bit recurring guests. Special guests on the prove accept included screenwriters Max Landis and Simon Barrett, comic book creative person Freddie Williams, actors Macaulay Culkin and Patton Oswalt, comedian Gillian Bellinger and indie film auteur Len Kabasinski.

Some episodes feature the "Cycle of the Worst", in which a wheel is spun to select which films/videos will be watched.[22] Wheel selections are oftentimes videos that are either extremely bizarre (such equally "Dog Sitter", a movie made to appeal to dogs), low budget instructional films, educational films and those which accept little modern relevance (such every bit Chinese-language instructional tapes well-nigh how to use AOL). Videos featured on Wheel of the Worst are virtually frequently establish on VHS tapes. The Daily Herald praised Best of the Worst for being Ruby Alphabetic character Media'due south well-nigh entertaining series.[37]

The show occasionally features other gimmicks to randomly select viewing material such as the "Choose-And-Lose" and the Plinketto Board. Another subsection of Best of the Worst includes the "Black Spine Edition" where the group randomly selects VHS tapes which are missing informational or identification labels on the side of the cassette.

Sometimes the coiffure volition review a specific film which they have previously viewed off camera and recommend to fans of poorly-conceived and poorly-executed B movies. They refer to reviews of this nature every bit their "Spotlight Series". The showtime of these reviews featured the film Hollywood Cop by director Amir Shervan was released on YouTube on June 21, 2017. In this format, low budget indie movies Suburban Sasquatch, Lycan Colony and The Final Vampire on Globe have likewise been featured.

In 2019, the crew introduced a 'Hall of Fame' for All-time of the Worst, intended to represent the all-time things that have appeared on the testify. At that place have but been three additions to the hall of fame thus far; actor Cameron Mitchell and low-budget films Surviving Edged Weapons and Creating Rem Lezar.

re:View [edit]

On May 24, 2016, the company released the commencement episode of a new series called re:View. Compared to the visitor's other shows, the format is a much more stripped down and straight forward approach to film critique. Two members of Red Letter Media sit in forepart of a red curtain and offer thoughts and insight on a picture show that they both enjoy. Films chosen for this feature are often either cult classics such as Pink Flamingos, Freddy Got Fingered and Martin, or well renowned genre-defining films like The Thing and Ghostbusters. Clips of the film being discussed are interwoven, typically to lend emphasis to a specific point being made, or to showcase some of the most memorable moments from the film. re:View has also featured Star Trek films and episodes, a particular favorite of Stoklasa'south.

For an episode featuring The Guest, the screenwriter of the film, Simon Barrett, appeared as a guest and spoke nearly many backside the scenes aspects of the product. A similar insight into the groundwork of a motion picture the Red Alphabetic character Media crew enjoyed was shared in a 2-part interview series with Samurai Cop lead Matt Hannon, though this occurred prior to the cosmos of the re:View branding and format. Former child star Macaulay Culkin fabricated a guest appearance in a 2018 episode reviewing Hackers, and has since returned to both this series and Best of the Worst.[38] [39]

The Nerd Crew: A Pop Culture Podcast [edit]

The outset episode being uploaded to YouTube on 5 Jan 2017, The Nerd Crew parodied pop civilization "fanboyism" and video series such equally Screen Junkies, Collider, and The John Campea Show, with Stoklasa, Bauman and Evans playing "manchildren" demonstrating excessive enthusiasm over Star Wars, the Curiosity Cinematic Universe and other content aimed primarily at a juvenile audience.[40] Product placement, native advert and general subservience to entertainment mega-corporations were all satirized.[41] [42]

Previously Recorded [edit]

In July 2014, Red Letter Media affiliates Rich Evans and Jack Packard began a YouTube Video game review channel under the name Previously Recorded or Pre-Rec. Videos from the channel have been featured on the Reddish Letter Media website alongside other Ruby Letter of the alphabet Media content, and the channel has been referenced in numerous Half in the Bag and Best of the Worst episodes. The channel was Crimson Letter Media's 2d attempt at producing gaming content after the short-lived Game Station two.0 (2012). On July 22, 2018, the duo announced that they would be broadcasting their final live stream on July 25, 2018 and so the channel would be put on concord for the foreseeable future after.[43]

Films [edit]

Blood-red Letter Media also produces original feature-length films. Among the depression-budget features Stoklasa and Bauman have produced and directed on Red Letter Media are the action-comedy film Oranges: Revenge of the Eggplant, made in 2005 and available on Netflix[11] (currently only available for DVD rental, not for streaming); The Recovered, a horror thriller starring Tina Krause; and Feeding Frenzy, a 2010 genre-spoof of puppet monster movies like Gremlins. Feeding Frenzy featured Rich Evans every bit Mr. Plinkett; Evans originated the character in short films, and this feature was filmed before the popularity of the Phantom Menace review.[24] Stoklasa's short films are ordinarily dark comedies. Plinkett, played by Evans, appeared in several of them, starting with "You're Invited".

Stoklasa created and starred in five seasons of the web sitcom The Grabowskis, opposite Dixie Jacobs, about an exaggeratedly trashy and unpleasant sitcom family unit. Installments of the serial were only a few seconds long at showtime (comically giving more screen time to the lengthy intro than the episode itself), but grew to full episode length over time.

On October 26, 2015, the visitor announced via a short video that it had completed the characteristic-length film Space Cop, which had been in production for at least seven years.[44] Space Cop stars Evans in the titular office aslope Stoklasa, who wrote and directed the film. It was made bachelor on January 12, 2016, on Blu-ray for $25 through Cerise Alphabetic character Media'south Bandcamp folio. The beginning run sold out in a matter of hours.

[edit]

Since 2012, Red Alphabetic character Media has produced commentary tracks for various films, releasing them on Bandcamp.[45] These began with three commentary tracks by Stoklasa as Mr. Plinkett, but the company has since released tracks past Stoklasa, Bauman, and Evans equally themselves.

[edit]

  • Episode I – The Phantom Menace (Mike Stoklasa as Mr. Plinkett)
  • Episode 4 - A New Hope (Mike Stoklasa equally Mr. Plinkett)
  • Star Trek V: The Concluding Frontier (Mike Stoklasa as Mr. Plinkett)
  • Alien vs. Predator
  • Samurai Cop
  • Ghostbusters 2
  • Halloween
  • Alien
  • The Terminator
  • Jurassic Park
  • Batman & Robin
  • A Nightmare on Elm Street
  • Render of the Jedi
  • Masters of the Universe
  • Gremlins
  • Rogue One: A Star Wars Story
  • The Room
  • Justice League
  • RoboCop
  • Jingle All the Way
  • Army of Darkness
  • Dungeons & Dragons

Filmography [edit]

References [edit]

  1. ^ a b "Nearly YouTube channel". YouTube.
  2. ^ "RLM Corporate Research". Arizona Corporation Commission. Archived from the original on 2017-04-14.
  3. ^ "GMP Pictures". Angelfire. Archived from the original on Feb 17, 2018. Retrieved September vi, 2016.
  4. ^ "Mike Stoklasa: The Grabowskis etc". January 4, 2009. Archived from the original on June 17, 2010. Known for his experimental style, Mike of GMP Pictures (Groovy Movie Pictures, now Ruby Letter of the alphabet Media) was known for his funny editing - he could take unfunny material, fabric non fifty-fifty meant to be funny, and edit it in a way that was funny.
  5. ^ "Render of the Undertale. (part one)". YouTube. January 10, 2016. Event occurs at thirteen:46. Archived from the original on 2021-12-15. Before Red Alphabetic character Media, when we were in high school, me and Mike called what nosotros did GMP. GMP Pictures. [The P stood for] stuff. Pictures. Information technology's like DC Comics.
  6. ^ a b c d Jefferies, L.B. (March 16, 2010). "RedLetterMedia's Spin on the Crazed YouTube Reviewer". PopMatters . Retrieved March xvi, 2010.
  7. ^ Ruby Letter of the alphabet Media. "You're Invited". Archived from the original on February 1, 2013. Retrieved June 7, 2012.
  8. ^ a b c Sarlin, Benjamin (December 28, 2009). "Star Wars: YouTube Battle". The Daily Beast . Retrieved March 14, 2010.
  9. ^ Seitz, Matt Zoller (January 20, 2010). "Ranting in Pictures". Contained Motion picture Channel. p. 3. Retrieved March 17, 2010.
  10. ^ a b c Eisenberg, Eric (December 17, 2009). "Ballsy 70-Minute Review Of Star Wars: The Phantom Menace". Movie theater Blend. Retrieved March 17, 2010.
  11. ^ a b Abrams, Brian (January iv, 2010). "Man Behind Epic Phantom Menace Review Speaks". Heeb . Retrieved March 17, 2010.
  12. ^ Star Wars: The Phantom Menace Review (Role 1 of seven), archived from the original on 2021-12-15, retrieved 2021-07-24
  13. ^ Hart, Hugh (February i, 2010). "Phantom YouTube Critic Reams Avatar". Wired . Retrieved March 17, 2010.
  14. ^ Eisenberg, Eric (April 3, 2010). "lxx-Minute Phantom Menace Reviewer Returns For Set on Of The Clones". Movie theater Alloy. Retrieved April three, 2010.
  15. ^ Fischer, Russ (December 31, 2010). "Spotter Red Letter Media's Review of 'Star Wars: Episode Three – Revenge of the Sith'". /Moving picture. Retrieved December 31, 2010.
  16. ^ Virtel, Louis (June 21, 2010). "The Definitive Infant'due south Day Out Review, for All Eternity". Movieline. Archived from the original on 2010-07-27. Retrieved September 3, 2010.
  17. ^ Fischer, Russ (December 23, 2011). "Watch Red Letter Media's Takedown of 'Indiana Jones and the Kingdom of the Crystal Skull'". /Film. Retrieved December 24, 2011.
  18. ^ "Mr. Plinkett's The Star Wars Awakens Review". YouTube. Red Letter Media. Archived from the original on 2021-12-15. Retrieved two October 2016.
  19. ^ "Mr. Plinkett's Ghostbusters (2016) Review". YouTube. Red Letter Media. Archived from the original on 2021-12-fifteen. Retrieved 9 Baronial 2017.
  20. ^ "STAR TREK (2009)". RedLetterMedia.com. Retrieved April 4, 2010.
  21. ^ Lamar, Cyriaque (September 1, 2010). "Mr. Plinkett (a.thou.a. "The Phantom Reviewer") takes on J.J. Abrams' Star Trek". io9. Retrieved September i, 2010.
  22. ^ a b c Tim Brookes (Dec x, 2013). "Scarlet Alphabetic character Media: Movie theatre-Themed Comedy For Film Fans [Stuff to Lookout]". MakeUseOf. Archived from the original on January 17, 2014. Retrieved January 17, 2014.
  23. ^ "Plinkett's Star Trek 5: The Terminal Frontier Commentary". July 8, 2014.
  24. ^ a b c "Red Letter Media's Mike Stoklasa". geekpropaganda.net. February iv, 2011. Archived from the original on February 10, 2011. Retrieved Feb 4, 2011.
  25. ^ Kirbach, Benjamin (2014). "Critical Psychosis: Genre, Détournement, and Critique in Mr. Plinkett's Star Wars Reviews". Iowa Periodical of Cultural Studies. 16 (1): 109. doi:x.17077/2168-569X.1430 . Retrieved four May 2015.
  26. ^ Kirbach, Benjamin (2014). "Disquisitional Psychosis: Genre, Détournement, and Critique in Mr. Plinkett's Star Wars Reviews". Iowa Journal of Cultural Studies. sixteen (i): 108. doi:ten.17077/2168-569X.1430 . Retrieved iv May 2015.
  27. ^ a b Kirbach, Benjamin (2014). "Disquisitional Psychosis: Genre, Détournement, and Critique in Mr. Plinkett's Star Wars Reviews". Iowa Journal of Cultural Studies. 16 (ane): 112. doi:10.17077/2168-569X.1430 . Retrieved 4 May 2015.
  28. ^ Kirbach, Benjamin (2014). "Disquisitional Psychosis: Genre, Détournement, and Critique in Mr. Plinkett's Star Wars Reviews". Iowa Journal of Cultural Studies. xvi (i): 111. doi:10.17077/2168-569X.1430 . Retrieved 4 May 2015.
  29. ^ Wood, Jennifer (January 27, 2015). "Patton Oswalt on Movie Addiction, Star Wars, and the One Picture show He'd Watch on Loop". Esquire . Retrieved January 27, 2015.
  30. ^ Bell, Chris (Dec 16, 2015). "Why it's time to stop antisocial George Lucas". The Daily Telegraph . Retrieved Dec nineteen, 2015.
  31. ^ "Jordan Vogt-Roberts on Twitter".
  32. ^ Lussier, Germain (Jan 13, 2011). "'Star Wars' Fan Writes 108-Page Rebuttal to Reddish Letter of the alphabet Media's 'Phantom Menace' Review". /Film. Retrieved February 4, 2011.
  33. ^ Red Letter of the alphabet Media. "Episode 3 Review is now up ..." YouTube. Archived from the original on 2021-12-fifteen. Retrieved June three, 2011.
  34. ^ RedLetterMedia (2012-08-07). "One-half in the Handbag: Episode 37 - Special invitee star Tim Heidecker". YouTube. Archived from the original on 2021-12-xv. Retrieved 2018-07-xvi .
  35. ^ Half in the Bag: 10 Year Anniversary!, archived from the original on 2021-12-15, retrieved 2021-07-24
  36. ^ "One-half in the Bag - YouTube". www.youtube.com . Retrieved 2021-07-24 .
  37. ^ Sean Stangland (January 17, 2014). "Hibernating? Arctic out with offbeat shows, DVDs". Daily Herald . Retrieved January 17, 2014.
  38. ^ RedLetterMedia (5 November 2018). "Hackers - reView". Archived from the original on 2021-12-15 – via YouTube.
  39. ^ "Macaulay Culkin: Überraschender Auftritt bei YouTube-Kritikern". 24 October 2018.
  40. ^ "The Frenzied Fraud of Forced Fandom". i May 2017.
  41. ^ "Diese drei Filmnerds zerstören "Rogue Ane" und Disney mit nur einem YouTube-Video". 9 January 2017.
  42. ^ "5 лучших роликов недели: "Гремлины", "Ходячие мертвецы", "Звёздные войны" и фильм Дарьи Чаруши". kinokadr.ru.
  43. ^ "Twitch". actor.twitch.tv . Retrieved 2018-07-23 .
  44. ^ "Space Cop Trailer #1 - Red Alphabetic character Media". redlettermedia.com.
  45. ^ "Ruddy Letter of the alphabet Media commentary tracks". Cherry-red Letter Media . Retrieved 2016-12-25 .
  46. ^ "r/RedLetterMedia - Release dates of Plinkett Reviews". reddit. ten June 2015.

External links [edit]

  • Official website
  • IMDb page
    • Mike Stoklasa at IMDb
    • Jay Bauman at IMDb
    • Rich Evans at IMDb
    • Jack Packard at IMDb

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